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Salt Thread was built for people who value clarity, intention, and refined structure. Every layout is thoughtfully designed to support your message with precision and purpose. These are considered builds designed to anchor your ideas, sharpen your delivery, and offer a meaningful experience to every visitor. Whether you’re launching something new or evolving something long standing, Salt Thread offers Showit templates and tools shaped to carry your tone, your rhythm, and your presence. The templates are built to adapt with focus, strength, and thoughtful pace. Every section has a role. Every scroll, a reason. This is design that’s built to hold weight and move with you.
e build websites for people with something to say, clearly, confidently. Structure matters. So does strategy. So does soul.
reason, and rebellion.
Each project moves with intention.
Rhythm,
STUDIO PHILOSOPHY ON METHOD, MEANING, AND IDENTITY.
The STUDIO
We don’t design to impress. We design to support to shape what already matters, without dressing it louder than it needs to be.
The internet is loud. Templates shout. Layouts move fast and land flat. Salt Thread slows things down to give rhythm to your message, and weight to your work.
Structure, to us, is an act of care. It holds attention gently. It guides, without taking over. It helps your story land, clearly and calmly.
This isn’t about us. It’s about building something that adapts to your ideas and respects your pace.
You won’t find noise here. Just intention, balance, and rhythm that lets your work speak for itself.
Structure Over Noise
Built with Edges
We like things that make sense before they make noise. That’s how we design. That’s how we think. There’s a rhythm to everything we build, but it’s not there to impress you it’s there because it holds. We’re obsessed with grids, but we’re not robots. We care about feeling. We care about what lasts. Beauty comes after structure. And it always means more when it’s earned.
Form, Then Feeling
Old magazines. Vintage matchbooks. Scraps of paper with beautiful type. Stories we heard once and never forgot. We keep them all. We pin them to walls, tuck them in drawers, let them shape what we build. The studio is full of quiet objects and louder memories nothing perfect, everything loved. That’s the kind of place Salt Thread is. That’s the kind of work that comes out of it.
We Collect Things
We like the things that don’t fit. Half formed concepts. Unused names. The notes you leave in margins and come back to years later. Not everything needs a clean edge or a clear label. The best ideas usually start with a gut feeling and a raised eyebrow. Around here, we follow that. We trust weird. And we make space for it.
We Like Strange Ideas
Backgrounds in architecture, branding, and late-night overthinking.
It’s all part of the mix.
Comfortable with contradiction.
Clean systems. Messy moodboards. Weird notes that turn into sharp design.
No awards. Just a track record of taste.
We’re more focused on what works than what wins.
Built on old magazines, better questions, and too much tea.
Allergic to trends.
We like work that can hold its own five years from now.
Raised on brutalism and Bauhaus.
A little rough around the edges, but always intentional.
From the Desk of Salt Thread
The Ingredients List
Perfectionist rebel
BIGGEST CONTRADICTION:
Interior Architecture & way too many vintage magazines
DESIGN ROOTS:
Somewhere between my desk and my daydreams
CURRENTLY LIVING:
Mid-century interiors, retro details, black coffee, and staying creative at all costs
OBSESSED WITH
Quick Facts About KAPRI
Why Nostalgia Holds
Trends flare up and vanish, but nostalgia endures. Retro design isn’t fashion it’s memory etched into form. It carries the proof of what once was and the weight of what still resonates. The palettes, the textures, the imperfections they don’t weaken with time, they deepen. Nostalgia reminds us that beauty doesn’t fade, it transforms, and every mark of age makes it more alive.
I work with that conviction: that grit and rhythm outlast the noise. Nostalgia is permanence disguised as memory. It’s the bridge between what shaped us and what we’re still building. It grounds the present in something unshakable, giving shape to the one thing design should always offer clarity that survives the passing of trends.
My Quiet Mission
It doesn’t get bold fonts or big headlines, but it runs through everything I do. For years, I’ve kept the same words pinned to my desk: Kindness is my religion. I try, every single day, to live by that to meet people with softness, to design with intention, and to leave things better than I found them. That’s not just a belief. It’s the baseline for everything that matters.
Born and raised in London, I’ve always felt more at home in my head than in the noise of the world. I’m an interior designer by training, but design was never just a career it’s the way my brain breathes. I see stories in textures, find rhythm in palettes, and obsess over composition in a way that rarely lets me rest. Perfectionism isn’t a quirk it’s my default setting.
I’m a single parent, raising children in a world that doesn’t always make space for softness, for slowness, for starting over. I’ve faced more than my share of hardship. But survival teaches you clarity. It sharpens your eye. And in my case, it pushed me deeper into the one thing that never left: creating.
I’m also an extreme introvert quiet on the outside, but endlessly alive inside. The stillness isn’t silence; it’s where all the best ideas happen. I speak most fluently through design, where I don’t have to explain myself out loud.
Salt Thread isn’t a business built from ease it’s built from necessity, from grit, and from the obsessive need to make beauty out of the hard things. This is where I come to tell the truth through design, through rhythm, through rebellion.
When it all feels too heavy, I put on a record and let the static remind me I’m still here.
The Salt Thread Founder, Obsessive Thinker
Meet Kapri Dylan
In the bath with my waterproof notebook
Where all the best ideas are thought of:
Deadlines don’t concern him, and templates least of all. His presence in the studio is measured in interruptions that sharpen focus rather than scatter it. He drifts in with questions that land like riddles, observations that reframe what seemed certain, and laughter that breaks through the silence with startling clarity.
His rhythm sometimes chaotic, sometimes still reminds everyone that creativity rarely moves in straight lines. It swells, collapses, and reforms, finding its way through detours and diversions. In these moments, ideas stretch further than they would under the weight of order.
What he offers is not strategy but perspective: a reminder that invention is lived, not scheduled. In his wake, clarity always follows proof that the most original brief is life itself.
My Youngest Child
Morale Manager
Scrolling old design archives at midnight with a spoonful of Nutella.
LEISURE ACTIVITY OF CHOICE:
It doesn’t complain, doesn’t interrupt, doesn’t wander off halfway through the day. Black coffee is the only thing in the studio that always shows up the same, every morning. But the ritual isn’t about caffeine alone. It’s about the clarity that comes from repetition the steady refill, the pause in the warmth, the grounding that sharpens ideas before they scatter. Some of the best layouts began with little more than half a cup left cold beside the keyboard, untouched. It’s a presence that reminds you to slow down, reset, and begin again no drama, just rhythm.
It waits quietly on the desk, the anchor that keeps the studio steady. Some mornings it tastes like focus, other mornings like fuel, but always like habit. It’s less about the flavor and more about the promise that as long as the cup is warm, the work will keep moving forward.
A cup of black coffee
CREATIVE ASSISTENT
A vintage typewriter from the 1940's. Type has always been my love language.
Best gift ever given:
She’s the one behind it all every grid line, every unexpected curve, every page that feels more like print than web. Her background is in interior architecture, but Salt Thread isn’t about rooms, it’s about rhythm. She keeps folders of vintage print ads for inspiration, rearranges layouts until they hum, and pays attention to details most would overlook. For her, design is deliberate a language of spacing, typography, and proportion that shapes how you feel before you even realize why. Every page becomes a composition, every headline a headline with gravity, every blank space a pause that matters.
Every choice is intentional, whether it’s the tension of two typefaces side by side or the way negative space shapes the reader’s eye. Her process is closer to editing film than laying out a page cutting, splicing, and rearranging until the rhythm is right. It’s not decoration; it’s structure with soul.
Kapri Dylan
STUDIO FOUNDER
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